Were you art-full this past weekend?

Did the long weekend provide you with extra chances to immerse yourself in Broome County’s lively arts scene? Then please tell us what you did.

‘Rock of Ages’ delivers nostalgia with a capital N

Reviewed by Nancy McKenzie Oliveri

What was a girl to wear to a Broadway-caliber show, on Valentine’s Day (Feb. 14) no less, that promised to rock her and the rest of the audience right back to the wonderfully raunchy, tasteless decade of the ’80s?

For this girl, in her mid 50s, it meant faking it in black leggings, knee boots, a stretchy, black, not-too-mini skirt, red jacket with too many snaps, and an animal print scarf. Fetching, right?

But this review isn’t about me, although the highest praise I can give the touring company production of Rock of Ages is that it sure made me feel that the show was somehow about me, and everyone else in the house, and that I was right at home in that getup.

Ti-Ahwaga finds right balance in challenging play

Reviewed by George Basler

One thing can be said about the Ti-Ahwaga Community Players: They don’t shy away from taking risks.

Having turned in a very solid effort last fall in staging Arthur Miller’s classic Death of a Salesman, the company is now tackling Edward Albee’s challenging A Delicate Balance, play that is not for actors who are faint of heart.

‘Circle Mirror Transformation’ reflects fine stagecraft

Reviewed by Lee Shepherd

What a perfectly crafted and finely acted play!
I’m talking about the Know Theatre’s production of Circle Mirror Transformation by Annie Baker, directed by Tim Gleason and featuring Jason Hill, Ilana Lieberman, Jessica Nogaret, Susan Stevens and Jason Walsh.

‘Trovatore’ returns triumphantly to TCO repertoire

Reviewed by Lee Shepherd

You can see why there’s been so much fun made of Il Trovatore – even the Marx Brothers took a crack at it. Its crazy plot, set in the mountains of Spain, includes a gypsy’s curse, a child tossed into a fire, switched identities, several vows of vengeance, duels, madness, mayhem, poisonings, burnings at the stake, brothers who hate each other (who don’t know they’re brothers —  and that’s just on the personal level. On the larger scale, you’ve got battles and armies and bravado and nationalism and lots of bloodshed.
But if you succeed at suspending your disbelief, and discount the ridiculous plot twists, the  1853 Giuseppe Verdi opera affords you the most memorable few hours you’ll ever spend in a theater (in my case, The Forum in downtown Binghamton).

New Orford scores big on Super Bowl Sunday

Reviewed by Lee Shepherd

For most of the country, Super Bowl Sunday (Feb. 3) was all about competition. For the select crowd at Binghamton University’s Anderson Center Chamber Hall for the “pregame show” on Sunday afternoon, it was all about collaboration.
And what a fine demonstration of perfect coordination it was, as the New Orford String Quartet played Mozart’s Quartet in C Major (the “Dissonant”), Brahms’ Quartet in A minor, Op. 51, No. 2 and Quebecois composer Jacques Hétu’s Quartet No. 2, Op. 50.

Musicals showcase student talent

By Barb Van Atta

I said it last year; I’ll say it again: From February to May, there are no better places to get the most out of your entertainment buck than the auditoriums of local high schools. Despite budget cutbacks, talented students, dedicated teachers and hard-working volunteers in every district continue to put their hearts into presenting musicals every spring. The 2013 season begins this weekend with Fame at Owego-Apalachin, and continues into spring with offerings both classic (South Pacific) and contemporary (The Wedding Singer).

In 2012, I called around to schools to compile a list of performances. A big shout-out and thank you to Rich Ives of Oweo who did all the legwork this year, put it into this nifty graphic and made it available to BAMirror.

The pipes, the pipes were calling at BU

Reviewed by Nancy McKenzie Oliveri

Last Thursday (Jan. 31), nearly 1,200 people came to Binghamton University to see the Pipes, Drums and Highland Dancers of the Black Watch 3rd Battalion, and the Band of the Scots Guards.  Throughout the night, the crowd was brought to its feet, and to tears. Repeatedly.